In Strangers' Arms

I cross the steps of Plalacio Carlos Gardel – which houses the Academy, my school since 2008. It was my first exposure to the academic tango world in Buenos Aires, my first acquaintance with professors who carry Tango – music, lyrics, – in their blood because they grew up hearing it, learning it and dedicating their lives to its study. My former professors and fellow students will always have a special place in my heart.

Enough reminiscences. The academic program is about to begin. As all of them, it begins with a ritual. Gabriel Soria (Academy Vice-president) introduces the chosen Tango Ritual “Lunes” by José L. Padula y Francisco García Jiménez (version Alfredo De Ángelis y Carlos Dante). We listen. We applaud.

The program is edifying as professor Provitina emphasizes the breadth and depth of the oeuvre of García Jiménez, a polished lyricist with elegant vocabulary and a skill for drama. For some mysterious reason he has not been regarded among the greatest poets. When lyrics were in their early stage he wrote “Zorro Gris” (1920), “Suerte Loca” (1925) and “Barrio Pobre” (1926).

Provitina illustrates Jimenez’s “descriptive and reflective” work playing tangos “Carnaval,” “Siga el Corso,” and the waltz “Palomita Blanca” – sung by Carlos Gardel.

Ninety minutes have been too short.

(Copyright (c) 2013 Beatriz Dujovne)

Tags: Poetry